Internal Scene of Representation: Difference between revisions

From Generative Anthropology
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The Internal Scene of Representation is a concept of Eric Gans’s that Adam Katz rejects. Gans assumes that there must be some subjective space where events are processed and decisions made. So, it would make sense to see the external scene upon which the [[sign]] is generated as replicated in an internal scene—this, in turn would support the whole vocabulary of interiority (consciousness, soul, psychology, conscience, will, and so on) that I see as products of disciplinary spaces mediating [[imperative]] exchanges. Katz insists that we are performative and mimetic all the way down.
The '''internal [[scene]] of representation''' is a highly contested concept within [[Generative Anthropology|generative anthropology]], which states that each human has a subjective space where events are processed and decisions are made.
 
== Disputes ==
The internal scene of representation is a concept of Eric Gans’s that Adam Katz rejects. Gans assumes that there must be some subjective space where events are processed and decisions made. So, it would make sense to see the external scene upon which the [[sign]] is generated as replicated in an internal scene—this, in turn, would support the whole vocabulary of interiority (consciousness, soul, psychology, conscience, will, and so on). In contrast, Katz sees these concepts as products of disciplinary spaces mediating [[imperative]] exchanges, and insists that we are performative and mimetic all the way down.

Latest revision as of 15:26, 22 May 2023

The internal scene of representation is a highly contested concept within generative anthropology, which states that each human has a subjective space where events are processed and decisions are made.

Disputes

The internal scene of representation is a concept of Eric Gans’s that Adam Katz rejects. Gans assumes that there must be some subjective space where events are processed and decisions made. So, it would make sense to see the external scene upon which the sign is generated as replicated in an internal scene—this, in turn, would support the whole vocabulary of interiority (consciousness, soul, psychology, conscience, will, and so on). In contrast, Katz sees these concepts as products of disciplinary spaces mediating imperative exchanges, and insists that we are performative and mimetic all the way down.